"It is your attitude, not aptitude, that determines your altitude."
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Fashion Articles:
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THE MAN OF THE THIRD MILLENIUM: The Dress symbolizes the nobility of the knight for its aspect coat of mail and spirituality for its female look out of small encrusted mirrors. The men of the third millenium are there!  The man of the 3ime millenium carries the boots of Mars Gabrielle Lys, a dress out of encrusted mirrors, a leather belt and mittens. Gabrielle Lys November 2007.
THE MAN OF THE THIRD MILLENIUM:
The Dress symbolizes the nobility of the knight for its aspect "coat of mail" and spirituality for its female look out of small encrusted mirrors. The men of the third millenium are there!

The man of the 3ime millenium carries the boots of Mars Gabrielle Lys, a dress out of encrusted mirrors, a leather belt and mittens.
Gabrielle Lys November 2007.


The Kia: New York - Summer 2010. Jo walks his hyena in Central Park. The Kia, new synthetic semi matter, semi rubber carves skirts and boots in moving circles. Gabrielle Lys. Special Cubism Collection. February 2007.
The Kia:
New York - Summer 2010. Jo walks his hyena in Central Park. The Kia, new synthetic semi matter, semi rubber carves skirts and boots in moving circles.
Gabrielle Lys. Special Cubism Collection. February 2007.


MY SWEET PRINCE: My sweet prince, You are the one. Me and my valuable friend, Can fix all the pain away. So before I end my day, Remember. My sweet prince,You are the one. [My sweet prince - Placebo]  Gabrielle Lys. August 5th, 2009.
MY SWEET PRINCE:
My sweet prince,
You are the one.
Me and my valuable friend,
Can fix all the pain away.
So before I end my day,
Remember.
My sweet prince,You are the one.
[My sweet prince - Placebo]

Gabrielle Lys. August 5th, 2009.


The coat bar: Militant opposed to the death penalty in the United States. The coat bar: symbol of the rebellion. Gabrielle Lys. Special Cubism Collection. May 2007.
The coat "bar":
Militant opposed to the death penalty in the United States. The coat "bar": symbol of the rebellion.
Gabrielle Lys. Special Cubism Collection. May 2007.



Our clothes speak about us...

Introduction.

dot  Clothing speaks about the image of oneself, of the report to the other, more or less conscious desires, personal history, emotions (shame, nostalgia...) To the border of the close friend and social world, it carries a message to oneself and others. It forms part of us and at the same time, belongs outside.

Stroke of freedom.

dot  The manner of getting dressed indicates the margin of freedom of the individual compared to his family, but also his pars, his social relations. Clothing follows the construction of oneself, reveals the report with his image. It shows the failures or the narcissistic successes.

Love and friendship.

dot  The dress also lends itself to the play of seduction within the couple and in friendship. One exchanges feelings by the way of the clothing. Without forgetting the clothes related to the memory of such or such close relation.

An influence on the wellbeing.

dot  To be rebuilt, when one feels depressed, badly in his skin, the dress can help to be present in the glance of the others, to be object of desire of another. From where the desire sometimes to want to stick to an image of fashion magazine. By acquiring a clothing close to this image, one is identified with the object of desire of another, feeling by there, desirable for others and especially for oneself. Clothing helps to build the space of daydream necessary to the rebuilding of oneself, always renewed.

Continuity with the past.

dot  With each stage of the life, one projects in clothing something of private individual: love, social, friendly stakes... The dress supports a continuity with the past. It evokes old relations. It speaks about our past body.
Gabrielle Lys
Bibliography:
"Déshabillez-moi. Psychanalyse des comportements vestimentaires".
Catherine Joubert et Sarah Stern. Hachette, 2005.


THE MOVING MAN: A man who does not walk does not leave traces. [Georges Wolinski]  In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow.  Gabrielle Lys October 2007.
THE MOVING MAN:
A man who does not walk does not leave traces.
[Georges Wolinski]

In the London Underground, red dress for men is last-cry and the red the color of vestimentary revolution. Dress in velour with mountain boots and white perfecto in young cow.
Gabrielle Lys October 2007.



The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

LAPSE MEMORY COLORS: Since shade wins. Since it is not mountain. Higher than the steps of memory lapse. Since it is necessary to learn. Failing to understand it. [Puisque tu pars - Jean-Jacques Goldman]  Climb steps of memory lapse. Skirt in satin veil to the colors of memory lapse on a black blouse. Gabrielle Lys. July 10, 2008.
LAPSE MEMORY COLORS:
"Since shade wins.
Since it is not mountain.
Higher than the steps of memory lapse.
Since it is necessary to learn.
Failing to understand it."
[Puisque tu pars - Jean-Jacques Goldman]

Climb steps of memory lapse. Skirt in satin veil to the colors of memory lapse on a black blouse. Gabrielle Lys. July 10, 2008.


THE MAN WITH A SHORT DRESS: Sunday, the banks of the channel are places where to be seen for the Jet Set of Brussels. A designer of the street Etienne Dansart rests along the bank. Short dress with zip fastener on the front, deer boots, sunglasses, earrings out of gold and squared haircut. Gabrielle Lys. June 2007.
THE MAN WITH A SHORT DRESS:
Sunday, the banks of the channel are places "where to be seen" for the Jet Set of Brussels. A designer of the street Etienne Dansart rests along the bank. Short dress with zip fastener on the front, deer boots, sunglasses, earrings out of gold and squared haircut.
Gabrielle Lys. June 2007.


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