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"It is your attitude, not aptitude, that determines your altitude."
[Zig Ziglar]

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Psychology:
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Fashion Articles:
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The manga: He knows that he gives to the others the appearance of an animated manga. But he projects human being towards the perfect one, the godlike beauty... and he meets God at each crossroads.... From now on, he fixes the horizon at far with determination. His life is a heaventy search. Gabrielle Lys. November 2006.
The manga:
He knows that he gives to the others the appearance of an animated manga. But he projects human being towards the perfect one, the godlike beauty... and he meets God at each crossroads.... From now on, he fixes the horizon at far with determination. His life is a heaventy search.
Gabrielle Lys. November 2006.


BOY GEORGE: I had 16 years old and stays completely hypnotized by his audacity to propose new look for the guys. [Gabrielle Lys]  Boy George dressed by Gabrielle Lys. Mini dress on white blouse. Two-tone long coat out of cotton and hight hat with crowned chamanic feathers. Gabrielle Lys. December 18th, 2008.
BOY GEORGE:
I had 16 years old and stays completely hypnotized by his audacity to propose new look for the guys."
[Gabrielle Lys]

Boy George dressed by Gabrielle Lys. Mini dress on white blouse. Two-tone long coat out of cotton and hight hat with crowned chamanic feathers.
Gabrielle Lys. December 18th, 2008.


RETURN OF THE ANGEL: He knows that the Angel of That which inspires him went to make a turn. The Warrior keeps his attention turned towards his fight, and he perseveres, even when all appears vain to him. Soon, the Angel will return and, with the simple rustle of his wings, the joy will be again there. [Handbook of the Warrior of the Light - Paulo Coelho]  The Angel of the Warrior is back. He wears a blue satin dress with deep cut off out of velvet, a helmet and an arm of armour. The dress with the armour symbolizes his identity bipolarity. He carries the crowned feather, symbol of his celestial capacity. Gabrielle Lys. February 28, 2008.
RETURN OF THE ANGEL:
"He knows that the Angel of That which inspires him went to make a turn. The Warrior keeps his attention turned towards his fight, and he perseveres, even when all appears vain to him. Soon, the Angel will return and, with the simple rustle of his wings, the joy will be again there."
[Handbook of the Warrior of the Light - Paulo Coelho]

The Angel of the Warrior is back. He wears a blue satin dress with deep cut off out of velvet, a helmet and an arm of armour. The dress with the armour symbolizes his identity bipolarity. He carries the crowned feather, symbol of his celestial capacity.
Gabrielle Lys. February 28, 2008.


Gothic: Wrap-around skirt in flax. Cotton tee-shirt. Boots of climbing. Gabrielle Lys 2005.
Gothic: Wrap-around skirt in flax. Cotton tee-shirt. Boots of climbing. Gabrielle Lys 2005.


The garçonnes or the first women in trousers.

Introduction

dot  Less than one hundred years before the movement of the men out of Skirts, there were the women in trousers.... This article pays homage to these women pionnières who had courage to face the homophobie, with the mockeries, with the disapproval of the society during the decade 1920-1930 while carrying the trousers. By adopting the dress of the men, they were the precursors of the movement of emancipation and liberalization of the women.

Poses calculated or urgent seized by the photographer ? the garçonne with the car.
Poses calculated or urgent seized by the photographer ?
"the garçonne with the car".

La garçonne.
dot  Symbol of the Mad years, the garçonne, with her cut hair, her shortened dresses, her tubular look is a figure of androgyne mode which hesitates between masculine and invention of a new femininity. She incarne, in ambiguous manner, the emancipation of the women. The adversaries with this emancipation did not fail to compare the garçonnes to the lesbians, thus using the homophobie against the women. Thus, since 1889, we estimate that we almost always can suspect a homosexuality among women who carry the short hair or which gets dressed like men or who practise the sports of the men. The sign of the sex by clothing is indeed at that time a fundamental cultural feature. It assigns each sex in its place in all the manifestations of the social life. However, in this century marked by the male domination, to adopt the dress of the men is a gesture of stamping. Women face to the sarcastic remarks become models for the women witch like freedom: Rosa Happiness, George Sand, exploring Jane Dieulafoy or the writter Rachilde wear the male dress.

Short cut and squared said precisely to the garçonne Louise Brooks.
Short cut and squared said precisely "to the garçonne"
Louise Brooks.

dot  In 1920, the short cut and squared said precisely "to the garçonne" holds the top of the paving stone while the movie inaugurates the legendary career of star like Louise Brooks. The opponents of the emancipation of the women make run the rumour that the short cuts cause baldnesses, or, on the contrary, activate the pilosity of the face... But a new femininity is invented : The released neck and the nape of the neck emphasize outer earrings. On the stripped arms scintillate of many rigid bracelets, tightened "with the slave" while the movement of the body is underlined by many jewels imagination and pins...

New femininity:  the released nape of the neck emphasizes large collars. Louise Brooks
New femininity: the released nape of the neck emphasizes large collars.
Louise Brooks

The arrival of the trousers

dot  The appearance of the trousers In 1924, the Skirts are "short": on average to 26 cm of the ground. In 1925, they are to 30 or 35 cm of the ground. In 1926, they are to 40 cm then lengthen gradually until 1930 when they will be stabilized to 30 or 32 cm of the ground. But with the garçonne, male wardrobe enters the female cloakroom. It is not a question of vestimentary eccentricity but falls under a progress of feminism. The equality of the sexes seems initially like a negation of femininity and a will to imitate the men. The trousers, symbol of virility appears at the end of the Twenties in female wardrobe even they are already used since 1920 for horsemanship, hunting or golf. They also exist in the form of silk pyjamas to replace the housecoat since 1924. With the variation of the changes, the countryside will remain a long time faithful to its vestimentary traditions and its regional costumes. Thus, a long time, some priests will refuse the communion with the girls in trousers. The public school will hardly be shown more tolerant by prohibiting the trousers until the end of the Sixties, except during the winter rigours, provided that it is carried under the Skirt. In 1930, the women's right to get dressed as a man is even discussed in front of the courts. Thus, Violette Morris, catch of the sporting female Federation of France carries felt sorry for because its federation withdrew her licence because of her behaviour considered to be too male. To 37 years, she increases very short cut hair, the trousers and jacket with tie. she will be even marked by the rumour to have to remove her too prominent chest to drive its car... The court will declare that "to carry trousers not allowed for women, the sporting female federation of France had perfectly the right to prohibit it"...

The actress Charlotte Andler in 1929. Jacket, trousers, shirt, bow tie, gloves. Male wardrobe enters the female cloakroom.
The actress Charlotte Andler in 1929.
Jacket, trousers, shirt, bow tie, gloves.
Male wardrobe enters the female cloakroom.

dot  Nevertheless, these courageous women will triumph over the aesthetic divergences, morals and policies to enter manners and to thus open the way of the modern woman such as we know it today.
Gabrielle Lys
Bibliography:
"Les Garçonnes. Modes et fantasmes des années folles".
Christine Bard, Paris, Flammarion, 1998.


Short cut and squared said precisely to the garçonne Louise Brooks.
Short cut and squared said precisely "to the garçonne"
Louise Brooks.


The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Lys

THE WARRIOR OF THE LIGHT: You knew that the bells at the sea-bed were not a legend; but you don't managed to hear them until you understood that the wind, the gulls, the slapping of the sheets of palm trees, all that belonged to the tinkling of the bells... [Handbook of the Warrior of the Light - Paulo COELHO]  Armour with encrusted gold on a blue silk tunic and short skirt. Waist curved by a scarf with the colors of the banner and sword of the Warrior.  Gabrielle Lys. November 8th, 2008.
THE WARRIOR OF THE LIGHT:
"You knew that the bells at the sea-bed were not a legend; but you don't managed to hear them until you understood that the wind, the gulls, the slapping of the sheets of palm trees, all that belonged to the tinkling of the bells..."
[Handbook of the Warrior of the Light - Paulo COELHO]

Armour with encrusted gold on a blue silk tunic and short skirt. Waist curved by a scarf with the colors of the banner and sword of the Warrior.

Gabrielle Lys. November 8th, 2008.


SOPHISTICAL ANDROGYNE: His dress tells how to wake up with art, freedom, to be oneself. It expresses the primitive power of clothing and the identity.  Superposition dared of a wool dress on lace underskirt with boots and collar of Fluo Pop color.  Gabrielle Lys. February 1, 2008.
SOPHISTICAL ANDROGYNE:
His dress tells how to wake up with art, freedom, to be oneself. It expresses the primitive power of clothing and the identity.

Superposition dared of a wool dress on lace underskirt with boots and collar of Fluo Pop color.

Gabrielle Lys. February 1, 2008.


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Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses - France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
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Last member
28/10/2016 - 13h28
Bernard Dupont
- Liege - Belgique -
J'ai la soixantaine ,physique normal ,je porte des jupes ou robes dans l'intimité depuis de longues années ,je n'ose sortir habillé en jupe hélas je porte une lingerie dentelle et soie ,bas porte jartelles je voudrais tellement sortir en rue dans cette tenue .
Faut sâvoir que je ne suis pas homo ,juste un peu bi
Bert

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Last msg of GuestBook :
Jean - Lyon - France - - added 08/02/2016.
Bravo pour ce magnifique site
Dommage que les articles sur la jupe se fassent rares.
Je me suis mis à porter la jupe de temps en temps depuis un an. Au début difficile de s'aventurer en ville tant la crainte des regards est grande. Mais en fait, cela passe assez bien. Cependant, j'ai l'impression d'être bien seul et j'aimerais bien que d'autres osent et que ce vêtement puisse ainsi être porté plus facilement.
Je précise que je suis un jeune senior et c'est par plaisir que je porte la jupe. Liberté de mouvement, originalité, confort.
Espérant que tout cela évolue vite...


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