"It is your attitude, not aptitude, that determines your altitude."
[Zig Ziglar]

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BEAUTIFUL PAST: High wrinkled skirt with great width and inspired of the skirts of the end of the 18th century. Matched make-up. Gabrielle Loodts. April 8th 2008.
BEAUTIFUL PAST:
High wrinkled skirt with great width and inspired of the skirts of the end of the 18th century. Matched make-up.
Gabrielle Loodts. April 8th 2008.


ANGELIC... He wears high heels long time ago before Rick Owens. Leaned on a bar of the "halles Saint Gery" popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the "Mana romantic" style, he remains a hunter which is waiting his hour... Gabrielle Loodts. September 2007.
ANGELIC...
He wears high heels long time ago before Rick Owens. Leaned on a bar of the "halles Saint Gery" popular place of Brussels, he flaunts himself with his angelic face... With his ruffled skirt in the "Mana romantic" style, he remains a hunter which is waiting his hour...
Gabrielle Loodts. September 2007.


2012: In 2012, the blue hair makes fury in the male fashion. The student wears a sweat with asymmetrical collar, a scarf and a miniskirt. Theses clothes are in large mesh. He has high leather boots. Gabrielle Loodts Marsh 2006.
2012:
In 2012, the blue hair makes fury in the male fashion. The student wears a sweat with asymmetrical collar, a scarf and a miniskirt. Theses clothes are in large mesh. He has high leather boots. Gabrielle Loodts Marsh 2006.


POWERFUL ANDROGYNE: Dared superposition of a dress in fabric on an armour hauls. This combinaison expresses the power of the androgyne on the bipolar identity. Gabrielle Loodts. July 11, 2008.
POWERFUL ANDROGYNE:
Dared superposition of a dress in fabric on an armour hauls. This combinaison expresses the power of the androgyne on the bipolar identity.
Gabrielle Loodts. July 11, 2008.


THE SHAMAN: The Shaman pronounces the mantra "thiru neela kantam". He wear the blue color, color of kindness and the positive one. Formal dress and crowned chamanic feathers. Gabrielle Loodts. May 18, 2008.
THE SHAMAN:
The Shaman pronounces the mantra "thiru neela kantam". He wear the blue color, color of kindness and the positive one. Formal dress and crowned chamanic feathers.
Gabrielle Loodts.
May 18, 2008.


Printed colors: A few months after the launching of the dress for man, the printed colors make fury in this summer 2013 Gabrielle Loodts. July 2007.
Printed colors:
A few months after the launching of the dress for man, the printed colors make fury in this summer 2013
Gabrielle Loodts. July 2007.



The garçonnes or the first women in trousers.

Introduction

dot  Less than one hundred years before the movement of the men out of Skirts, there were the women in trousers.... This article pays homage to these women pionnières who had courage to face the homophobie, with the mockeries, with the disapproval of the society during the decade 1920-1930 while carrying the trousers. By adopting the dress of the men, they were the precursors of the movement of emancipation and liberalization of the women.

Poses calculated or urgent seized by the photographer ? "the garçonne with the car".
Poses calculated or urgent seized by the photographer ?
"the garçonne with the car".

La garçonne.
dot  Symbol of the Mad years, the garçonne, with her cut hair, her shortened dresses, her tubular look is a figure of androgyne mode which hesitates between masculine and invention of a new femininity. She incarne, in ambiguous manner, the emancipation of the women. The adversaries with this emancipation did not fail to compare the garçonnes to the lesbians, thus using the homophobie against the women. Thus, since 1889, we estimate that we almost always can suspect a homosexuality among women who carry the short hair or which gets dressed like men or who practise the sports of the men. The sign of the sex by clothing is indeed at that time a fundamental cultural feature. It assigns each sex in its place in all the manifestations of the social life. However, in this century marked by the male domination, to adopt the dress of the men is a gesture of stamping. Women face to the sarcastic remarks become models for the women witch like freedom: Rosa Happiness, George Sand, exploring Jane Dieulafoy or the writter Rachilde wear the male dress.

Short cut and squared said precisely "to the garçonne" Louise Brooks.
Short cut and squared said precisely "to the garçonne"
Louise Brooks.

dot  In 1920, the short cut and squared said precisely "to the garçonne" holds the top of the paving stone while the movie inaugurates the legendary career of star like Louise Brooks. The opponents of the emancipation of the women make run the rumour that the short cuts cause baldnesses, or, on the contrary, activate the pilosity of the face... But a new femininity is invented : The released neck and the nape of the neck emphasize outer earrings. On the stripped arms scintillate of many rigid bracelets, tightened "with the slave" while the movement of the body is underlined by many jewels imagination and pins...

New femininity:  the released nape of the neck emphasizes large collars. Louise Brooks
New femininity: the released nape of the neck emphasizes large collars.
Louise Brooks

The arrival of the trousers

dot  The appearance of the trousers In 1924, the Skirts are "short": on average to 26 cm of the ground. In 1925, they are to 30 or 35 cm of the ground. In 1926, they are to 40 cm then lengthen gradually until 1930 when they will be stabilized to 30 or 32 cm of the ground. But with the garçonne, male wardrobe enters the female cloakroom. It is not a question of vestimentary eccentricity but falls under a progress of feminism. The equality of the sexes seems initially like a negation of femininity and a will to imitate the men. The trousers, symbol of virility appears at the end of the Twenties in female wardrobe even they are already used since 1920 for horsemanship, hunting or golf. They also exist in the form of silk pyjamas to replace the housecoat since 1924. With the variation of the changes, the countryside will remain a long time faithful to its vestimentary traditions and its regional costumes. Thus, a long time, some priests will refuse the communion with the girls in trousers. The public school will hardly be shown more tolerant by prohibiting the trousers until the end of the Sixties, except during the winter rigours, provided that it is carried under the Skirt. In 1930, the women's right to get dressed as a man is even discussed in front of the courts. Thus, Violette Morris, catch of the sporting female Federation of France carries felt sorry for because its federation withdrew her licence because of her behaviour considered to be too male. To 37 years, she increases very short cut hair, the trousers and jacket with tie. she will be even marked by the rumour to have to remove her too prominent chest to drive its car... The court will declare that "to carry trousers not allowed for women, the sporting female federation of France had perfectly the right to prohibit it"...

The actress Charlotte Andler in 1929. Jacket, trousers, shirt, bow tie, gloves. Male wardrobe enters the female cloakroom.
The actress Charlotte Andler in 1929.
Jacket, trousers, shirt, bow tie, gloves.
Male wardrobe enters the female cloakroom.

dot  Nevertheless, these courageous women will triumph over the aesthetic divergences, morals and policies to enter manners and to thus open the way of the modern woman such as we know it today.
Gabrielle Loodts
Bibliography:
"Les Garçonnes. Modes et fantasmes des années folles".
Christine Bard, Paris, Flammarion, 1998.


Short cut and squared said precisely "to the garçonne" Louise Brooks.
Short cut and squared said precisely "to the garçonne"
Louise Brooks.


Gabrielle Loodts.
Gabrielle Loodts.

The site is a success thanks to you all. Thank you for your expressions of sympathy in the golden book and ideological support of members. Thank you also with those which write personal messages to me. They suit me right to the heart and push me to advance always further.
Gabrielle Loodts

RECOGNIZED BEING: "There is nothing to understand And that passes the intruder Who will be not able to await Because I am only to hear them silences and when I tremble Me, I am your different If we were not from here We would be the infinite one" [Tu es mon autre - Lara Fabian]  The recognized being wears thigh boots  of Gabrielle Loodts and a dress wallet out of wool with short sleeves and bordered in bottom by silk muslin of Saris. Gabrielle Loodts November 13th, 2007.
RECOGNIZED BEING:
"There is nothing to understand
And that passes the intruder
Who will be not able to await
Because I am only to hear them
silences and when I tremble
Me, I am your different
If we were not from here
We would be the infinite one"
[Tu es mon autre - Lara Fabian]

The recognized being wears thigh boots of Gabrielle Loodts and a dress wallet out of wool with short sleeves and bordered in bottom by silk muslin of Saris. Gabrielle Loodts
November 13th, 2007.


STAGE BEAUTY: In 1660, the most famous actress of England is not other than a man of the name of Edward "Ned" Kynaston. At that time, only the male gente is authorized to play on scene, a privilege which benefits Ned because he excels in the interpretation of the great female roles and is the most desirable "woman" of London... [Homage to the movie STAGE BEAUTY - 2004]  Edward "Ned" Kynaston wears a dress wallet out of satin to high size with draped asymmetrical long-line bra. Collar and cuffs are green silk. Gabrielle Loodts. February 2, 2008.
STAGE BEAUTY:
In 1660, the most famous actress of England is not other than a man of the name of Edward "Ned" Kynaston. At that time, only the male gente is authorized to play on scene, a privilege which benefits Ned because he excels in the interpretation of the great female roles and is the most desirable "woman" of London...
[Homage to the movie STAGE BEAUTY - 2004]

Edward "Ned" Kynaston wears a dress wallet out of satin to high size with draped asymmetrical long-line bra. Collar and cuffs are green silk.
Gabrielle Loodts. February 2, 2008.


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Last member
20/02/2012 - 17h35
Pauline
- L'hay les roses - France -
Mais le symbole plus emblématique de la mode à la garçonne est la coupe de cheveux. Incarnée au cinéma par l’actrice Louise Brook, la coupe courte devient célèbre et est porté par toutes les femmes. Symbole d'émancipation, la coupe courte séduit et s'impose. En 1925, une femme sur trois aurait fait couper ses cheveux. Mais déjà en 1903, Colette arborait la coiffure courte. En mai 1917 Paul Morand écrit : « depuis 3 jours, c’est la mode de porter les cheveux courts. Toutes, elle suivent le mouvement, mené par Mme Letellier et Channel…». Les cheveux sont donc coiffés suivant la mode masculine, sous un chapeau cloche, à haute caloque cylindrique et dont les bords étroits tombent juste au dessus des sourcils. Les frères Antoine et René Rambaud devienne maitre dans l’art de cette coiffure qui fut renommer la coupe à la garçonne.
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Last member
28/06/2014 - 18h36
Pautz Mx. nathan tamar
- The villages - Usa -
I have physically transitioned from female to bigender. I love to mix male and female fashions. Happy to find this group.
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Last msg of golden book :
Florian - Paris - France - - added 25/07/2014.
Bonjour.

Je suis un amateur du port de la jupe et robe chez l'homme, et il m'arrive d'en porter, comme tout autre vêtement dit féminin, du haut au bas. J'ai 32 ans et j'aimerai m'assumer ainsi depuis l'âge de 16 ans.

Pour moi, on ne définit pas notre sexe de par ce qu'on porte. Du tissu aux couleurs quelqu'elles soient, variés ou non, ne veut pas dire qu'on est forcément une femme. Il faut oublier en partie au moins ce que la mode nous apprend, voire nous oblige à porter. Si un homme souhaite s'habiller en femme, puisqu'on ne pourrait le dire autrement, alors soit, et cela ne signifie pas qu'il est gay ou bi. Je suis hétéro malgré que j'apprécie les vêtements féminins. J'aime porter toutes sortes de jupes, robes, collants et chaussures en premier lieu réservés aux femmes.

M'inscrire m'est un peu difficile encore, mais j'y songe sérieusement. Merci de me lire


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